Friday, March 8, 2019

Ocean’s Eleven †Film analysis Essay

The blockbuster film navals Eleven, released in 2001, was the first film of a trilogy of rip- morose films speciate by Steven Soderbergh. This big budget crime-thriller remake of the 1960s Rat anchor ring favourite conveys the intricately thrilling biz where Daniel oceanic leads a rag-tag radical of con artists and ex-cons for the monumental heist of 3 major Las Vegas Casinos.This date is real because it pecks up the diegesis of the film and excessively gives us an insight into the timbre of the protagonist. Also, structurally, the set up of the heist is crucial to conniption up the earreachs high expectations and apprehensions of how al nearlything of this scale toilette be achieved smoothly. Daniel oceanic, played by A-list ace George Clooney, is being interrogateed by the pa utilisation board at a low-down New Jersey tell prison. Immediately after being released, nautical heads straight for Atlantic City and because Las Vegas to begin recruiting old acquainta nces for his grandest heist yet. The music genre feature of assembling the heist team members, each with a specific skill, is an extremely important one as it functions to make the consultation anticipate what role each will play and how, exactly, their skills will sustain into play afterwards. Through this sequence, it is made displace to us that Daniel oceanic is a leader and a internal, experienced criminal whose goals and ambitions are not modify by prison.To put this film and its heist theme into context, we must necromancert out into consideration the significance of using a cassino in Las Vegas as the target of the heist. Las Vegas, also k outrightn as sin city, is the entertainment and swordplay capital of the world, where fortunes are made and lost. Las Vegas connotes certain values and attitudes. Heist genre films have to make the thieves charismatic and almost heroic, in that respectfore, the object or mental hospital being robbed must be haven as evil in so me personal or social way. A casino in Las Vegas is a symbol of mass corporate greed, capitalism on a shocking scale, and a place where the odds are stacked in the casinos favour. The stakes are so high when it comes to robbing a casino that, Daniel Ocean and his 10 associates are not only gambling their chances of button to prison, they are gambling with their lives. We know that this is the case with this film because we can see Daniel Ocean unthreatened and unaffected by prison flavour.MISE EN SCENEDuring the interview in the prison, The Mise en scene lends meaning to the fact that it isnt a nice place to be, where conformity reigns, and individuality is quashed. The dark mise en scene, with the walls multi-colored grey, as a prison is, creates an institutionalized atmosphere. The empty benches behind the spirit indicate the characters loneliness in prison. There is also a barred window in the background, representing the outside world and something that can be seen but not experienced as puff up as the fan that isnt on, notwithstanding emphasising the lifeless atmosphere of the prison.Figure attitude is effectively thought out to show Ocean in the centre, as the main character, and one side of him lit, from outside light, the other in sliminess from inside the prison, introducing the classic narrative structural opposition of good versus evil, and presentation Oceans both sides in the framing and lighting. The low-key back lighting creates a halo effect and prevents the interview from recognising him, creating instant mystery and suggesting he is doing something ruin or secretive, characteristic of the genre.Through Costume, Hair, and make-up, we see that Daniel Ocean, unshaven and slouched, is wearing a dark beige jumpsuit with a white undershirt, which represent his repression and captivity. Although Ocean is presented as a criminal, his slicked back hair, articulated speech and star image make him appealing. Clooney is usually seen as playin g the hero in films, a trait common in studio films such as this, so the audience will expect the same of him in this film, although he is being portrayed, not as a rightfulness-abiding citizen or law enforcer, but as a felon.As Ocean leaves the prison, we see natural light coming from outside of the prison, with Ocean, facing away from us, silhouetted. This light is there to represent freedom, and escape from the confining walls of prison Oceans silhouette raises yet more(prenominal) enigmas. Figure placement puts the North Jersey State Prison prison behind Ocean as he walks out, setting the location and also symbolizing Ocean leaving the prison and life of confinement behind.In the next location, a casino in Atlantic City, we have a big discriminate in mise en scene, which conveys to us Daniel Oceans character in a non-confined setting. As this computer address is the first place that Ocean visits after leaving prison, it suggests that it plays a pregnant role in the narrativ e. In the background, chandeliers can be seen, along with implant plants, and a burgundy and gold colour scheme, symbolizing wealth and desire.Ocean himself is now cleanly shaven, stylishly suited and can now be seen as much more of an individual, with the high-key lighting showing all of his facial expressions. every(prenominal) of the mise-en-scene shows the audience how this new setting is much more welcoming, the colours use give the setting a sense that Ocean feels at theme and the artificial light brightens up the entire scissure. The setting is made clear to the audience and the large budget of the film is made evident by the use of props such as the slot machines, roulette tables and the uniform croupiers. These uniforms are also significant because the croupiers are wearing nametags, giving them an identity, which further contrasts the prison life where the prisoners in uniforms have no identity.Cinematography and EditingArguably the most critically acclaimed aspect of Oceans Eleven is the exceptional motion-picture photography and editing. Stephen Soderberghs creative influence as an auteur is seen through cinematography and editing and it is known to be effective in conveying the plot with or without dialogue. The fractures in this sequence are typically quite long durations of shot because they allow for the setting and context to sink in.The establishing shot is medium culture-up shot on the character, who is positioned in the centre of the shot. This long duration of shot allows the audience to take in Daniel Oceans character in detail, illustrating his importance.A fast cut to a close up shot reveals the character to be Hollywood star George Clooney, fixed and directioned onto his face, allowing for a more personal connection with the character, and also allowing individuality.This close up also reveals his eyes, which uphold gain the audiences trust, emphasizing his importance even further. The bobbing tv camera movement suggests the p lace of view from another character, the parole interviewer.A point of view shot through jail cell bars and fall tracking shots of Ocean leaving the prison suggests that other criminals look up to Ocean as an icon.A close up shot of Daniels oceans hand holding a wedding muckle conveys the importance of the ring, and hence, the importance of his ex wife. This impression is confirmed when the camera easily pans up to Oceans face, revealing his longing expression.A close up tracking shot from behind Ocean is used as he exits through the prison gates to emphasise his importance and his role as a leader.In Atlantic City, a shallow strain shot of Ocean rising up in an escalator, filmed from a low-level camera angle, indicates Daniel Oceans rise from a dim repressed lifestyle to the pretentious planning of an epic heist. The shallow focus allows for more emphasis on Ocean.Once Ocean is seated at a blackjack table, there are several shot-reverse-shots of Ocean and the croupier, which d oesnt break the 180-degree rule, and also allows for dialogue. This helps to establish narrative. A point of view shot, from Oceans perspective, shows another croupier talking to somebody, showing that something had caught his eye. This suggests one of the characters in this shot, plays a role of importance in the future narrative.The female croupier walks out of the regurgitate and is replaced by the man from the previous shot. This raises enigma as to why she has left, and satisfies the audiences expectations of one of the previous characters being of some significance. The camera then zooms in closer to Frank, whose name is established from the dialogue. This zoom suggests that this chat between him and Ocean is that of a more secret nature, between those two, and the audience. both characters seem to have their eyes at the same heightin an eye-line match, suggesting friendship and equality, but also raising an enigma between the two characters, as to how they are friends.Sound Diegetic and non-diegetic vocalize are used to collaboratively to augment the sequence in several ways.Off screen, metallic diegetic sounds can be heard, equivalent large, heavy doors, or keys, and voices can be heard, but not distinctly. This off screen sound raises an enigma as to what the source of these noises are, cueing their significance to the plot as associated with confinement and prison, setting up the threat of prison for the thieves later on in the film.Off screen diegetic dialogue can be heard from a well educated, seemingly law abiding character, interviewing our character, who we obtain out to be Danny Ocean, tying in with the title, and giving more rationalness to the fact that he is the protagonist in this film. This interviewer acts as a contrast between law-abiding citizens, and the stereotypes that are commonly found in prison, representing the good, in this film.When the interviewer asks Ocean What do you think you would do if released? he does not respond, but a cut to a close up of his face and a non-diegetic baseline insinuates that he indeed plans to break the law again. We dont need any script to suggest this as the mischievous, jazzy non diegetic sound and the close up of Oceans facial expression tell the audience all they need to know.The non-diegetic sound thickens with more instruments as Daniel Ocean leaves the solitary prison life and enters the lively casino. Combined with the diegetic sound of the casino machines and the gambling crowds, this sound build up represents Daniel Ocean gathering together ideas and the gang members for the heist, slowly coming back to life.The non-diegetic sound is of a scurvy jazz genre, reflecting Oceans optimistic attitude as well as giving a sense of mischief and complexity.Critical responseOceans Eleven, with its A-list cast and artistic director, was considered to be a success at the box office and with critics. The film received a rating of 80 percent at Rotten Tomatoes. People cartr idge holder called the film pure fun from start to finish, and included it in its end-of-year opera hat of Screen list.With its 85 billion dollar budget, Oceans Eleven grossed over 183 million US dollars in the US alone and over 260 Million dollars overseas, make it an extremely commercially successful film.Bibliographyhttp//

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